In the mood for: Enemies to Lovers
Enemies to Lovers - one of the most popular tropes and for good reason! When enemies become lovers in fiction, a lot has to happen to get them there. We get to live the tension, the change in feelings and building of trust between the characters makes this the ultimate slow burn and oh so satisfying when that breakthrough moment happens!
Catalina Martín, finally, not single. Her family is happy to announce that she will bring her American boyfriend to her sister’s wedding. Everyone is invited to come and witness the most magical event of the year.
That would certainly be tomorrow’s headline in the local newspaper of the small Spanish town I came from. Or the epitaph on my tombstone, seeing the turn my life had taken in the span of a phone call.
Four weeks wasn’t a lot of time to find someone willing to cross the Atlantic–from NYC and all the way to Spain–for a wedding. Let alone, someone eager to play along my charade. But that didn’t mean I was desperate enough to bring the 6’4 blue eyed pain in my ass standing before me.
Aaron Blackford. The man whose main occupation was making my blood boil had just offered himself to be my date. Right after inserting his nose in my business, calling me delusional, and calling himself my best option. See? Outrageous. Aggravating. Blood boiling. And much to my total despair, also right. Which left me with a surly and extra large dilemma in my hands. Was it worth the suffering to bring my colleague and bane of my existence as my fake boyfriend to my sister’s wedding? Or was I better off coming clean and facing the consequences of my panic induced lie?
Like my abuela would say, que dios nos pille confesados.
I’ve sworn off men. All men. Famous last words, right? You’re expecting some epic tale of reluctant love and my dramatic change of heart? Well, you’re not going to get it.
I’m stubborn. And headstrong. And I’ve just survived the worst three years of my life. After escaping an abusive boyfriend to live in hostels and cheap hotels while I worked my way across Europe, I’ve come to two conclusions.
The first? Now that I’m back home, I’m going to squander my expensive culinary degree on a food truck that caters to the late night drunk crowd.
The second? I’m going to prove to the bastard across the plaza that my street food is better than his fussy five course monstrosities.
Killian Quinn might be Food and Wine’s Chef to Watch Out For. He might have a Michelin Star. He might have every food critic in the city wrapped around his too-large fingers. But he’s also pretentious and unbearably arrogant and the very opposite of me.
So he can keep his unsolicited advice and his late night visits and his cocky smiles. I want none of it. Or him.
I want the opposite.
Two arch-rivals. One promotion. Can they resist falling for one another in paradise?
Marketing manager Henley Evans barely has time for herself, let alone family, friends, or dating. But when she's shortlisted for her dream promotion, the sacrifices finally seem worth it.
If only Graeme Crawford-Collins, the remote social media manager/bane of her existence, wasn't also up for the position. Although they've never met in person, their epic email battles are the stuff of office legend.
The task: draft a proposal on how to boost bookings in the Galápagos.
The catch? They have to go on a company cruise...together.
But when they meet on the ship, Henley is shocked to discover that the real Graeme is nothing like she imagined - and the line between loathing and liking is thinner than a postcard.
With her career dreams in sight and a growing attraction to the competition, Henley begins questioning her life choices. Because what's the point of working all the time if you never actually live?
If anyone ever said being an adult was easy, they hadn't been one long enough.
Diana Casillas can admit it: she doesn't know what the hell she's doing half the time. How she's made it through the last two years of her life without killing anyone is nothing short of a miracle. Being a grown-up wasn’t supposed to be so hard. With a new house, two little boys she inherited the most painful possible way, a giant dog, a job she usually loves, more than enough family, and friends, she has almost everything she could ever ask for.
Except for a boyfriend. Or a husband.
But who needs either one of those?
When the man you worshipped as a kid becomes your coach, it’s supposed to be the greatest thing in the world. Keywords: supposed to. It didn’t take a week for twenty-seven-year-old Sal Casillas to wonder what she’d seen in the international soccer icon - why she’d ever had his posters on her wall, or ever envisioned marrying him and having super-playing soccer babies.
Sal had long ago gotten over the worst non-break-up in the history of imaginary relationships with a man that hadn’t known she’d existed. So she isn’t prepared for this version of Reiner Kulti who shows up to her team’s season: a quiet, reclusive shadow of the explosive, passionate man he’d once been.
Nothing could have prepared her for the man she got to know. Or the murderous urges he brought out in her. This was going to be the longest season of her life.
Caroline Reynolds has a fantastic new apartment in San Francisco, a Kitchen Aid mixer to die for, and no O (and we’re not talking Oprah here, folks). She has a flourishing design career, an office overlooking the bay, a killer zucchini bread recipe, and no O. She has Clive (the best cat ever), great friends, a great rack, and no O. Adding insult to O-less, she also has an oversexed neighbour with the loudest late-night wallbanging she’s ever heard. Every moan, spank, and - was that a meow? - punctuates the fact that not only is she losing sleep, she still has - yep, you guessed it - no O. Enter Simon Parker. When the wallbanging threatens to literally bounce her out of bed, Caroline, clad in sexual frustration and a pink baby-doll nightie, confronts her heard-but-never-seen neighbour. Their late-night hallway encounter has…well…mixed results. Because with walls this thin, the tension’s gonna be thick. A delicious mix of silly and steamy, this is an irresistible tale of exasperation at first sight.
Turning thirty has a way of making you take a good, hard look at your life. And I think we all know what any sensible adult does in that situation: tequila shots. Lots of them. It’s okay, though, because I’ve finally escaped my tiny New Zealand home town and my negative parents. And New York is better than my wildest fantasies. So is Michael, the sexy single dad who lives in the apartment upstairs. And he’s featuring in my fantasies more and more—even if he’s a grump and I only ever seem to make a dork of myself in front of him. Ah well, a girl can dream. Anyway, I’ve got a writing career to build, and writing about being single is fun. If that means swearing off men for a bit, that’s fine. I can totally do that. It’s just a tiny crush.
Besides… happily ever afters aren’t real. Are they?
When his mother became President, Alex Claremont-Diaz was promptly cast as the American equivalent of a young royal. Handsome, charismatic, genius - his image is pure millennial-marketing gold for the White House. There's only one problem: Alex has a beef with the actual prince, Henry, across the pond. And when the tabloids get hold of a photo involving an Alex-Henry altercation, U.S./British relations take a turn for the worse.
Heads of family, state, and other handlers devise a plan for damage control: staging a truce between the two rivals. What at first begins as a fake, Instragramable friendship grows deeper, and more dangerous, than either Alex or Henry could have imagined.
Soon Alex finds himself hurtling into a secret romance with a surprisingly unstuffy Henry that could derail the campaign and upend two nations and begs the question: Can love save the world after all? Where do we find the courage, and the power, to be the people we are meant to be? And how can we learn to let our true colours shine through?
A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters.
Emily knew there would be strings attached when she relocated to the small town of Willow Creek, Maryland, for the summer to help her sister recover from an accident, but who could anticipate getting roped into volunteering for the local Renaissance Faire alongside her teenaged niece? Or that the irritating and inscrutable schoolteacher in charge of the volunteers would be so annoying that she finds it impossible to stop thinking about him?
The faire is Simon's family legacy and from the start he makes clear he doesn't have time for Emily's lighthearted approach to life, her oddball Shakespeare conspiracy theories, or her endless suggestions for new acts to shake things up. Yet on the faire grounds he becomes a different person, flirting freely with Emily when she's in her revealing wench's costume. But is this attraction real, or just part of the characters they're portraying?
This summer was only ever supposed to be a pit stop on the way to somewhere else for Emily, but soon she can't seem to shake the fantasy of establishing something more with Simon, or a permanent home of her own in Willow Creek.
Only When It’s Us is a frenemies-to-lovers, college sports romance about a women’s soccer star and her surly lumberjack lookalike classmate, complete with a matchmaking professor, juvenile pranks, and a smoking slow burn.
City girl Calla Fletcher attempts to reconnect with her estranged father, and unwittingly finds herself torn between her desire to return to the bustle of Toronto and a budding relationship with a rugged Alaskan pilot.
Lucy Hutton has always been certain that the nice girl can get the corner office. She’s charming and accommodating and prides herself on being loved by everyone at Bexley & Gamin. Everyone except for coldly efficient, impeccably attired, physically intimidating Joshua Templeman. And the feeling is mutual.
Trapped in a shared office together 40 (OK, 50 or 60) hours a week, they’ve become entrenched in an addictive, ridiculous never-ending game of one-upmanship. There’s the Staring Game. The Mirror Game. The HR Game. Lucy can’t let Joshua beat her at anything - especially when a huge new promotion goes up for the taking. If Lucy wins this game, she’ll be Joshua’s boss. If she loses, she’ll resign. So why is she suddenly having steamy dreams about Joshua, and dressing for work like she’s got a hot date? After a perfectly innocent elevator ride ends with an earth-shattering kiss, Lucy starts to wonder whether she’s got Joshua Templeman all wrong.
Maybe Lucy Hutton doesn’t hate Joshua Templeman. And maybe, he doesn’t hate her either. Or maybe this is just another game.